Ulrika Spacek’s Expo Unearths the Self

Twelve years into their career, Ulrika Spacek's fourth album EXPO, is a record that explores a world governed by systems that function exactly as intended even as the meaning corrodes beneath them. The title feels pointed: an "expo" is a site of display, and the record feels almost panoptic, as if the listener is both exhibitor and exhibit, moving inside a space designed to observe itself. If a typical expo is a showcase of progress, Ulrika Spacek turn it into a hall of stalled advancement: everything on display, nothing transcendent.

Credit: Beats Per Minute

The album’s internal logic is anchored by a series of plainspoken, almost architectural warnings. On “Picto,” Rhys Edwards sings of “one step forward, four steps back and slide,” a line that rejects the standard trajectory of the "journey" for a frictionless descent. By the time we reach “Build a Box Then Break It,” the advice is even more literal: “If you see stairs then don’t ascend them / It’s a building with no upper floor.”  The promise of upward mobility exists but the destination does not, and this hyperawareness produces disillusionment.

On the title track, when Edwards mutters about being “resized to scale” and “bent into shape,” could it be that the system doubles down and compresses you into something you aren’t? The album finds a strange, dark comfort in finally hitting the bottom and realizing there is nowhere left to fall.

Credit: The Line of Best Fit

Sonically, the band remains rooted in the motorik and psych-rock foundations that defined their earlier work, but the propulsion now feels like it’s running on a treadmill. This time, the guitars are refracted through subtle electronic and trip-hop textures where buried synth lines and clipped percussive details that reward the attentive listener. These elements do not displace the band's signature angularity but add an atmospheric weight to the room.

https://www.youtube.com/watch?v=1l2VM9UeE6Y

The record opens with an almost orchestral gravity. No single track shouts above the others — instead, they function as a seamless sequence of exhibits. For those familiar with their discography, EXPO is no surprise to what the band has always been producing.

I am reminded of some shades of DIIV’s Frog in Boiling Water, except EXPO captures how we are indeed frogs in the pot.  It is bleak, certainly, but in its textural richness and refusal to blink, Ulrika Spacek sound more certain than ever. Despite its themes, it is an immensely rewarding listen for those who crave controlled, well-considered guitar work.

Ulrika Space’s new record (out 6 February) is streaming now on Apple Music, Bandcamp and Spotify.