The Soundtrack to an America I’ve Never Been To

America is a desire machine, and a well-oiled one at that. As a kid, it didn’t seem like a real place so much as a fever dream with...

Navigating Romance as Both Path and Place — An Interview with Fontaines D.C.

Illustration by Taya Welter Love is a sacred feeling, perhaps the most sacred of all, a complex, multifaceted force that requires not...

Tonitruale Live - Thurston Moore is New in Town and Looking to Set Up Shop

The legendary Thurston Moore dials in to chat about everything you need to know about his upcoming album, "Flow Critical Lucidity."

A Day with Gurriers

I meet Charlie, Daniel, and Pierce on a private-ish floor of a bar in the heart of Lille to kickstart the day with pints, as one often...

It's Pronounced Mc-Gee: Two Star & The Dream Police Review

As I'm sure our readers are well aware of now, I'm a sucker for some sappy shit. Give me an album with three instruments and a souped-up...

A Conversation with Dustin Payseur of Beach Fossils on Touring, Nostalgia and "Bunny"

From their humble beginnings, navigating the challenges of tour life in a van that almost didn't function, to achieving household name...

Review: Modern Woman's Debut Album 'Johnny's Dreamworld'

A band named “Modern Woman” and an album cover of two girls lying in a field, one punching the other in the face. These are the two things that get my attention. Photo by Sandra Ebert London’s Modern Woman releases their debut album Johnny’s Dreamworld, via legendary label One Little Independent Records on May 1st. The album has been two years in the works, which lead singer Sophie Harris described as an “enjoyable marathon.” Modern Woman came together through a tangle

Music

Kora Elms Fleming

3 hours ago3 min read